Sketches

One

I want to live my life in saturated technicolor, until I die puking rainbows, broken emeralds and shards of sapphire. I want my reds to burn in anger; I want to drown in deep blue. I once grabbed a kid’s box of crayons and broke each one of the sixty-four sticks (and I was as cruel as I could be to the white crayon). I gave the child a set of metallic spray paints in psychedelic violets, telling him to never, ever put crayon on paper again. The colors are simply never happy enough.

Two

Before I post anything on Facebook, I think hard about it first. Actually, even before typing into the textbox, I would’ve mentally rehearsed and revised my paragraph about something totally interesting I saw on the streets in the day. I hear voices telling me, “That’s not worth it. You will get no Likes.” To which another voice, weaker but purer, would respond, “No, do it, trust in yourself. Dispel your social insecurities. Only few people ever get multitudes of Likes in every post they submit, and even then, they probably started out with a couple of unpopular status updates.” (This latter voice sounds like Obi-Wan with a hint of Yoda.) There is an all-powerful, ever-encompassing set of unwritten rules guiding what should and should not be posted in social media, that we all follow even if the rules differ from one person to another or between social circles. In this respect at least, there is a lot less differentiation between the real and the virtual—but this subject is worthy of a lengthy discussion on its own.

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Lenses

Ask any architect or painter what perspective is, and they might tell you that it is the representation of three-dimensional objects onto flat surfaces in the same way as the eye sees things. There are several ways of projecting, or drawing, objects onto surfaces, but the special thing with perspective is that it mimics the way light rays converge to one point—the eye—to form a clear image. As you read this text and appreciate the distinct curves of the letterforms, or as you look out the window and take in the myriad textures of life, all those visual details in the form of light rays have to travel and assemble through your eyes before you can perceive things.

One key principle of perspective is that as the distance of an object from the observer increases, its size as projected on the paper decreases. It’s not difficult to see that this principle in drawing, worded a little differently, is the same as an essential insight about life: that the further things are from you, the smaller it becomes in your mind. It’s not simply about physical distance, however.

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