‘Gusto Kita with All My Hypothalamus’: delirious with desire

A mesmerizing ode to finding beauty in a dreary city.

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The city, or the abstraction of this place, is an irresistible fixation for poets, fictionists and all kinds of storytellers, who spend much time imagining and fleshing out this concept or community, whichever form the city takes for their characters and purposes. Perhaps they find it wonderful how chaotic crowds of people find a measure of order when they walk down the same streets, just as seemingly disparate elements of stories seek structuring to form a narrative. Perhaps they appreciate the density of districts, which radiate the sense that there is always a story to be found just around the corner, down the alleys, inside the buildings. We all constantly desire to find the exciting things buried underneath the dreary details of life.

Gusto Kita with All My Hypothalamus is a captivating expression of this urge. The film, a love letter to Manila’s Avenida, weaves smoothly through the streets and spaces of the district as it tells the stories of four men linked together only by their common admiration for a woman named Aileen (Iana Bernardez, in a stunning debut). She is introduced in the glorious opening scene, walking in slow-motion on the streets, to the music of Ikaw Pa Rin, a song one could easily imagine blaring from those karaoke units being sold at Raon.

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‘Muling-Pagkatha sa Ating Bansa’ by Virgilio Almario

Virgilio Almario’s Muling-Pagkatha sa Ating Bansa is an enlightening, inspiring, and authoritative collection of essays on Philippine history, language and literature.

Many have lamented that José Rizal wrote much for a nation that does not like to read. Strictly speaking however, that is not true, because all Filipinos do love to read—tweets, Facebook updates, and anything immediately entertaining, but seldom the ‘valuable’ material, that is. Among these treasures waiting to be appreciated are the works of our venerable National Artists for Literature. Guilt for this is perhaps one of the things that drove me, while browsing Filipiniana in a Powerbooks branch, to pick up Virgilio Almario’s Muling-Pagkatha sa Ating Bansa: O Bakit Pinakamahabang Tulay sa Buong Mundo ang Tulay Calumpit.

Muling-Pagkatha is an enlightening and inspiring collection of essays on Philippine history, language and literature. The topics touched upon are rather wide in scope, yet Almario convincingly and authoritatively presents his case for a renewed perspective on each topic.

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Lenses

Ask any architect or painter what perspective is, and they might tell you that it is the representation of three-dimensional objects onto flat surfaces in the same way as the eye sees things. There are several ways of projecting, or drawing, objects onto surfaces, but the special thing with perspective is that it mimics the way light rays converge to one point—the eye—to form a clear image. As you read this text and appreciate the distinct curves of the letterforms, or as you look out the window and take in the myriad textures of life, all those visual details in the form of light rays have to travel and assemble through your eyes before you can perceive things.

One key principle of perspective is that as the distance of an object from the observer increases, its size as projected on the paper decreases. It’s not difficult to see that this principle in drawing, worded a little differently, is the same as an essential insight about life: that the further things are from you, the smaller it becomes in your mind. It’s not simply about physical distance, however.

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