Three films from Cinemalayà 2013

I started watching films from the Cinemalayà festival in earnest in 2010, catching around three films from each annual outing. I won’t deny that part of the motivation to attend the screenings is a not-so-subconscious desire to be identified as cultured—which, as a survey of blog posts and tweets and Facebook updates would indicate, is very much a desirable identity. I confess to enjoying every big-budget, mainstream production that comes out of Hollywood, so you can probably explain my Cinemalayà-watching as a simple curiosity to see a different kind of movie. But, in all honesty, there’s a part where I believe that these films are superior to most commercial movies; in that way, these so-called indie films matter.

The main lobby of the Cultural Center of the Philippines during Cinemalayà 2013, with chandeliers and the word ‘cinemalayà’ in colored lights
The main lobby of the Cultural Center of the Philippines during Cinemalayà 2013

Instead of attempting an ambitious and amateurish essay on why the term/categorization ‘indie film’ is problematic, I would just share my opinions on the three movies I saw at Cinemalayà this year.

Continue reading “Three films from Cinemalayà 2013”

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