Reviews: ‘Mamang’ and short films (Cinemalaya 2018)

A heartfelt film about a forgetful mother, and a diverse set of shorts: from the bleak to the charming, even the experimental.

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Mamang

Direction & Screenplay: Denise O’Hara

Mamang depicts an old woman’s struggle against the senility of old age.

In Mamang, the eponymous character (played by the renowned Celeste Legaspi) confronts the relentless hallucinations brought by her creeping dementia. These visions are populated by personalities from her past: her husband, his mistress, a suitor, even a constabulary officer—the ghosts of her memory, characters summoned by the failing faculties of her mind rather than haunted beings coming from a supernatural realm. It is a familiar unreliable-narrator story, where the narrator is an elder beset by senility, although the film interestingly frames its conflict as the choice between normal reality and a more vibrant, more colorful memory-dream world. The reappearance of people long gone confounds Mamang at first, but in the end, the film tells us it is up to her which world she desires to live in; she is a victim, but she is not helpless. Her disability gives her, more than mere suffering, a choice, an option that would in fact be unavailable were it not for her affliction. This way, Mamang places senility under a different light.

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