Passions, youth, diversity: ‘Shift’ is about the millennial and their fleeting desires.
Shift sells itself as an offbeat romance film, about the boyish Estela (Yeng Constantino) and the proudly gay Trevor (Felix Roco). While this is its heart, it is not its spirit.
The story follows Estela more than it does Trevor. Once, strolling through the quaint shops at the Cubao Expo, she spots a Che Guevara portrait, the bold reds of the artwork matching her own fiery dyed hair; she asks Trevor to take her picture with it. This is more than a whimsy: she studied sociology in school, and she knows what Che stands for. There are no flashbacks in Shift, but the film teases with details here and there, and we figure out that she used to be an activist—a rough, full-blooded tibak, a past life that corroborates with her boyish manners.
Now she spends her days, and nights, in call centers, taking up jobs to sustain her impractical passions. She answers a phone interview once, with remarkable confidence and skill—but underneath that compelling corporate talk is the contradiction between her past convictions and her present place. She keeps this simmering irony under wraps, mostly unspoken, though it manifests in her lethargic attitude to work: she often comes in late, and her performance has not been up to standard.
The passion project of a film is a gorgeous love letter to journeys of all kinds, be it across an archipelago or through the depths of heartache.
Director Ice Idanan, when asked how she came up with the story of Sakaling Hindi Makarating, does not hesitate to share that it was directly born out of personal experience. She wrote, initially, to help her cope with heartbreak, and the first story drafts thoroughly reflected the bitterness she felt at the time. But as months passed, she found beauty in the process of recovering from pain and rediscovering herself, and this newly brightened outlook similarly found its way onto the pages of her script.
It would take many more years and many more pains before Sakaling Hindi Makarating would be completed—at least one script development and two film financing grants later, to be exact—but the film will finally arrive in theaters across the country.
Work, as a concept, is a rich and multi-dimensional idea. As a starting point, I will take the definition I once heard (from a priest, if I remember correctly), that work is simply the transformation of our environment.
Defined this way, work becomes an encompassing aspect of life. Work can be physical and tangible, as in the work of mining and refining minerals from the earth, or synthesizing substances in a chemical factory, or constructing structures from pieces of wood, metal and glass. Work can also be intangible, as in intellectual work, gathering and synthesizing knowledge in various fields of science, or sharing them with others in education.
Work has a similar definition in the physical sciences, where it means the transfer of energy when a force is applied to matter resulting in motion of a definite distance. The idea is similar, because it also involves a transformation; without movement or results, mere application of force does not become work. To perform work in physics is to transform the shape and location of objects in our surroundings.