If we are to treat Steven Spielberg’s Bridge of Spies in the same manner children are taught to handle any story—like a fruit to be squeezed for juicy moral lessons—we do not have to look further than lawyer James Donovan’s (Tom Hanks) first scene for a bountiful first harvest.
In some dim, smoky venue that is definitely not a courtroom, Donovan, an American lawyer representing an insurance firm, discusses an accident with a claimant’s attorney. The incident under consideration involves a single vehicle crashing onto five motorcycles. The question they are debating is, does it constitute a single accident, or can the claimant seek damages for five accidents?
Donovan, confidently delivering his sober arguments, carefully points out that the person who was in the offending vehicle is not his “guy,” but rather a client of his actual guy, the insurance firm. It is as if he is persuaded that the first order of things in any legal discussion is the establishment of identities and affiliations. Then he makes the crucial point: if the accident were to be counted as more than one insurable incident, then all accidents would be liable to be arbitrarily counted; then insurance firms would lose money, the industry would be undermined, and nothing would be insured anymore; “No one would be safe!”, he ends emphatically.