Balikbayan #1 has nothing remarkable for the average Filipino moviegoer, provided he actually gets the unlikely opportunity to watch it. The film would probably come across as a bad movie even, given the Hollywood-satiated audience’s expectations of a ‘movie’: thrilling, spectacular, and highly entertaining.

This is a sad assessment that unfortunately rings true for many of the Filipino films simply called indie. Ironic, given that Kidlat Tahimik is widely recognized as the father of Philippine independent cinema. And here we could nod in agreement before moving on to the next spectacle if it weren’t for a crucial difference: Balikbayan #1 is actually mildly entertaining for its would-be Filipino audience, and this audience wouldn’t even have to know film art to be able to grasp it.
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