A sense of time

Are we helpless in the eternal slippery march of time from present to past?


If one is feeling philosophical, one might be inclined to ponder the most basic features of our reality: space and time, the dimensions, for instance. One might then discover that these fundamental things, or objects or constructs, could be blamed for the struggles of people—the human condition, as they say.

Let us look at space. Distance is the backbone of so much human drama. It is the element present in conflicts of various genres: in romance, lovers yearn for closeness; in adventures, man attempts to overcome nature by reaching for the stars; in war, kings and generals win battles through the brilliant use of territories.

But between space and time, it is clearly the latter that is the subject of greater mystery, and deeper struggles.

While in space we are free to move forward, backward, higher, lower, and so on, under time we are in a tyranny. The future is always out of reach, the present is fleeting, and moments are always slipping into the past. Given unlimited time we could conquer any imaginable amount of space; but even with the seemingly boundless space that we have on earth and beyond, time remains invincible, unsurmountable.

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In defense of boring books

When I was still a student, I’ve heard more than one friend complain about textbooks and how they can’t wait for the break, to be done with textbooks and finally be able to read the more interesting, “meaningful” books. As a booklover myself, I understand where the sentiment is coming from, though I strongly disagree with the rant against textbooks.

The defendant in this unfortunate case is the type of book that is cited in college course introductions, the kind of book that straight-faced, soft-spoken academics would enjoin their new students to get a copy of. (And they’re invariably expensive, so the resourceful student might go hunting for the requirement in Morayta and Recto; but, more likely in this day and time, the student will just look for a pirated PDF copy to download to his laptop or tablet, or to be copied from a friend’s USB stick.) The textbook is the usually-thick tome with the straightforward title, such as “Sociology,” or “Financial Accounting,” or “Film Art”. And while the non-textbook forgoes rigidity, being simply divided into chapters, the textbook is often crazy about structure: divided into sections, chapters, and sub-chapters; is decorated with boxes and sidebars; and often has end-of-chapter reviews, summaries, and exercises. The overloaded textbook wants it all, prose and poetry.

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