Review: ‘Bliss’ (Jerrold Tarog, 2017)

‘Bliss’ cuts deep, but the victim is numb.

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Early in Bliss, as an eerie atmosphere encroaches on Jane Ciego’s (Iza Calzado) world, the camera directs its gaze on a few circular objects and establishes a visual motif. A compact smoke detector hangs from a blank ceiling. The froth on a cup of coffee gathers into a disc. A desk model of an atom spins silently in perpetual motion. Bothered by distant noises in the house, the wheelchair-bound Jane roams the empty rooms; a high, circular window emits a strange glow, framing her head like a halo; she is like a saint, venerated, but trapped in limbo.

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Review: Cinemalaya 2016 Shorts A

Set ‘A’ of the Cinemalaya 2016 shorts features a few delightful entries.

The short film competition section of Cinemalaya’s 12th edition did not enjoy the same top-billing it had in the previous year, with the return of the full-length category. Regardless, it remains an essential part of the festival, a nourishing ground for promising new filmmakers.

Here is a review of the five works belonging to the ‘A’ set, which, I am pleased to share, features some delightful entries.

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