I started watching films from the Cinemalayà festival in earnest in 2010, catching around three films from each annual outing. I won’t deny that part of the motivation to attend the screenings is a not-so-subconscious desire to be identified as cultured—which, as a survey of blog posts and tweets and Facebook updates would indicate, is very much a desirable identity. I confess to enjoying every big-budget, mainstream production that comes out of Hollywood, so you can probably explain my Cinemalayà-watching as a simple curiosity to see a different kind of movie. But, in all honesty, there’s a part where I believe that these films are superior to most commercial movies; in that way, these so-called indie films matter.
Instead of attempting an ambitious and amateurish essay on why the term/categorization ‘indie film’ is problematic, I would just share my opinions on the three movies I saw at Cinemalayà this year.
I want to live my life in saturated technicolor, until I die puking rainbows, broken emeralds and shards of sapphire. I want my reds to burn in anger; I want to drown in deep blue. I once grabbed a kid’s box of crayons and broke each one of the sixty-four sticks (and I was as cruel as I could be to the white crayon). I gave the child a set of metallic spray paints in psychedelic violets, telling him to never, ever put crayon on paper again. The colors are simply never happy enough.
Before I post anything on Facebook, I think hard about it first. Actually, even before typing into the textbox, I would’ve mentally rehearsed and revised my paragraph about something totally interesting I saw on the streets in the day. I hear voices telling me, “That’s not worth it. You will get no Likes.” To which another voice, weaker but purer, would respond, “No, do it, trust in yourself. Dispel your social insecurities. Only few people ever get multitudes of Likes in every post they submit, and even then, they probably started out with a couple of unpopular status updates.” (This latter voice sounds like Obi-Wan with a hint of Yoda.) There is an all-powerful, ever-encompassing set of unwritten rules guiding what should and should not be posted in social media, that we all follow even if the rules differ from one person to another or between social circles. In this respect at least, there is a lot less differentiation between the real and the virtual—but this subject is worthy of a lengthy discussion on its own.
I live in one of the northern cities of the National Capital Region. For a month last summer, I commuted every day to a commercial center in Muntinlupa right at the south corner of the capital region, and it was a 20-km or so affair, one-way. 20 kilometers is not a lot, but for Metro Manila, no distance is ever short enough to be a comfortable, predictable ride. The biggest problem was that I initially trusted EDSA to be a reliable enough route for getting to my destination. I endured the resulting three-hour ride for several days, until I was driven by exasperation to take the MRT, which I’ve always known to be a hellish place to be in during rush hour. And it was, but it is a tolerable kind of hell in the morning, as I found out. It is the evening ride home that is always torturous.
There was one part of that daily grind that I came to appreciate, however. To get from EDSA to Muntinlupa, and vice versa, I took a bus that plied the Skyway. Skyway is an interesting indicator of the state of Philippine traffic: when the highway more popularly known as South Luzon Expressway reached its capacity and traffic jams started bogging down the route, they built a second road supported directly above the old pathway. (It’s a ‘grade separated’ system, as the civil engineers call it.) But to enjoy the higher speed limit and protection from jams afforded by Skyway, you’ll have to pay more than the already steep toll fee of the lower road.
It’s not the prospect of a Speed-type scenario of buses jumping across (or falling from) raised highways that I appreciated while cruising on the expressway, however. It was the inexplicable, shallow joy of watching the city pass by at 60 kilometers per hour from a bus window. The specific vistas offered by the Skyway include an international airport’s runway, a fish cage-saturated lake with a decommissioned coal power plant on its equally-congested shores, and an endless urban sprawl featuring malls, condominiums, and townhouses, some in construction and some starting to show signs of desolation. It’s not exactly a beautiful sight, because a concrete jungle has no intrinsic aesthetic value. It was probably just the diffusion of warm and cool colors falling upon the scenery—more often than not, it was sunset when I passed the road on my way back home.
At twilight on the day of the Offering, as Maya lifted her saltwater-soaked feet onto the boat, when it seemed like she would not turn and take another look, I repeated in my mind the words she whispered to me on the night before.
Even the constellations are not eternal.
They say she was born near midnight, at a clearing out in the woods before her mother could return to the village. When she came out she was feared dead because she was not crying, but when the mother looked at the child, she saw its eyes bright and dazed and fixed at the sky, its hand reaching out for the stars.
She would spend almost every night of her life observing the heavens. Outside of their hut, while weaving mats out of palm leaves whenever moonlight permitted it, she would just look up and gaze, allowing a meek smile every time she sees a bulalakaw. She would sometimes be seen at the fringes of village gatherings. She would not talk with anyone; as the elders recited the epics, she would watch the sky, as if she could see the old heroes’ adventures among the stars.
Two months ago, misfortune struck our community. Life left the sea, our source of living. The fishermen would set out at dawn and return at dusk without so much as a single, wriggling alumahan caught in their nets.
A few days ago I had the delightful experience of being in Cubao, the metro’s Bus Terminal District, just when the annual Holy Week exodus to the provinces was starting. I was stuck in traffic for nearly an hour, and during that time the bus I was riding was able to cover a grand total distance of about 50 meters. That corresponded to one corner of a mall (featuring McDonald’s) to the next (featuring Jollibee). The view was fantastic. I later found out that the cause of the negligible, forgivable delay was not some terrible road accident as I initially thought, but simply the mass of people swarming the bus terminals lining the Cubao portion of EDSA.
It was already late in the evening, but being the nocturnal person I am, I was wide awake the whole time the bus was speeding from McDo to Jollibee. I enjoyed seeing my fellow passengers in various stages of consciousness: from wide-eyed to sleepy-eyed to nodding off and to asleep and snoring (or so I imagined). My sight-seeing was interrupted at one point when I sensed that everyone in the bus was peering and chuckling at the bus to our left. A gap had developed in the lane, because the driver had fallen asleep while the vehicles in front had moved on. It didn’t take long for someone in that bus to bother waking him up. I thought about what could’ve happened if, upon falling asleep, the driver stepped down on the gas pedal. I guess professional drivers don’t do that.