I admit to not knowing a lot about Andrés Bonifacio. With José Rizal as the de facto official national hero, it seems he’s always only second place, an alternative subject, for the masterpieces of our popular culture. I’m recalling Marilou Diaz-Abaya’s 1998 Rizal biopic here; thanks to that film, I grew up with an elegant idea of who Rizal was. Bonifacio’s legacy does not have that luxury.
If anyone’s so inclined as to try to piece together a cohesive idea of Bonifacio’s life through cultural products, she will have to do so using wildly contradicting sources. From what I heard, the Cinemalayà 2010 entry Ang Paglilitis ni Andrés Bonifacio by Mario O’Hara was a respectable, and respectful, portrayal of the hero’s life, although it focused on a specific era of his life. The problem was that, being an independently-produced movie, it was inaccessible. I didn’t see it myself and neither did most other Filipinos. On the other hand, the 2012 Metro Manila Film Festival entry El Presidente had Bonifacio as a supporting character, and in an atrocious wielding of artistic license as could only happen in Philippine mainstream media, they turned the hero into an arrogant antagonist to the titular character. This understandably angered not a few concerned citizens, especially because, being an MMFF entry, many unconcerned citizens saw the movie and probably now think of the great Katipunero as an arrogant hothead.