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About the site

Reverse delay is a blog about alternative films, overlooked destinations, and local music, among other things. The writings are guided by Jonathan Franzen's advice that “You see more sitting still than chasing after.” Learn more in the ‘about’ page.

Sleepless (2015): a pleasant non-romance about urban insomnia
Ang Kwento Nating Dalawa (2015): watching the end of the line
Review: ‘Can We Still Be Friends?’ (2017)
‘Sa Aking Mga Kamay’ (1996): the dual faces of crime and passion
2 Cool 2 Be 4gotten (Petersen Vargas, 2016): confronting nature and nations
Review: Labs Kita, Okey Ka Lang? (1998, restored 2017)
Kusina (2016): intimate yet epic
Review: ‘Bliss’ (Jerrold Tarog, 2017)
A closer look at ‘Sakaling Hindi Makarating’: familiar journeys and unexpected discoveries
‘Sakaling Hindi Makarating’: a tribute to the “beautiful process” of coping with heartbreak

Latest posts

Review: ‘Can We Still Be Friends?’ (2017)
Taken by Cars’ ‘Plagues’: like diamonds from ashes
Review: ‘Bliss’ (Jerrold Tarog, 2017)
‘Sa Aking Mga Kamay’ (1996): the dual faces of crime and passion
Davao: city of superlatives
‘Tu Pug Imatuy’ (2017): life and death in ancestral lands
‘Hihintayin Kita Sa Langit’ (1991): evocative beauty and provocative intensity
A closer look at ‘Sakaling Hindi Makarating’: familiar journeys and unexpected discoveries
‘Sakaling Hindi Makarating’: a tribute to the “beautiful process” of coping with heartbreak
Review: Labs Kita, Okey Ka Lang? (1998, restored 2017)

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The author of this site retains all rights to original content posted here, but is open to its re-publishing or re-use upon request. See details on the ‘Copyright and related matters’ page.

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