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‘Culture as History’: Nick Joaquin's provocative essay on Filipino identity
‘2 Cool 2 Be 4gotten’ (Petersen Vargas, 2016): confronting nature and nations
The painter is dead: Barthes, and Nick Joaquin’s ‘A Portrait of the Artist as Filipino’
‘El viaje de Carol’, wars and dictatorships
The Atrium in Makati, BlackBerry, and other past things
‘Goyo: Ang Batang Heneral’, a romantic elegy
‘Tayo sa Huling Buwan ng Taon’: a world of their own
‘Instalado’: knowledge is power, and power corrupts
‘Honor Thy Father’ (2015): a gripping, grounded crime drama
‘Ang Babae Sa Septic Tank 2’ (2016): hilarious, perceptive, timely

About the site

Reverse delay is a blog about Philippine films and culture (with occasional digressions). Learn more in the ‘about’ page.

For convenience in browsing, there is an index to the film reviews published on this site.

Latest posts

‘Isa Pa, With Feelings’: from speechless to breathless
‘Body Crashes’ and the freedom to self-express: an interview with Rhian Ramos
‘Quezon’s Game’: playing it safe
‘Tayo sa Huling Buwan ng Taon’: a world of their own
‘Goyo: Ang Batang Heneral’, a romantic elegy
Ten years ago
‘Oda sa Wala’: the morbid fragrance of emptiness
Reviews: ‘Mamang’ and short films (Cinemalaya 2018)
Reviews: ‘Distance’, ‘School Service’, ‘Kung Paano Hinihintay ang Dapithapon’ (Cinemalaya 2018)
Reviews: ‘ML’, ‘The Lookout’, ‘Musmos na Sumibol sa Gubat ng Digma’ (Cinemalaya 2018)

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The author of this site retains all rights to original content posted here, but is open to its re-publishing or re-use upon request. See details on the ‘Copyright and related matters’ page.

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