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Reverse Delay

Forays and fabrications

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Reverse Delay

About

  • About the site
  • Copyright and related matters
  • Contact the author

Popular

  • ‘Perfumed Nightmare’, Neocolonialism and Kidlat Tahimik's Experiment with Film Form
    ‘Perfumed Nightmare’, Neocolonialism and Kidlat Tahimik's Experiment with Film Form
  • ‘Instalado’: knowledge is power, and power corrupts
    ‘Instalado’: knowledge is power, and power corrupts
  • ‘Culture as History’: Nick Joaquin's provocative essay on Filipino identity
    ‘Culture as History’: Nick Joaquin's provocative essay on Filipino identity
  • On Lualhati Bautista's ‘Dekada ’70’
    On Lualhati Bautista's ‘Dekada ’70’
  • ‘Hihintayin Kita Sa Langit’ (1991): evocative beauty and provocative intensity
    ‘Hihintayin Kita Sa Langit’ (1991): evocative beauty and provocative intensity
  • Review: ‘Nagalit ang Buwan sa Haba ng Gabi’ (Danny Zialcita, 1983)
    Review: ‘Nagalit ang Buwan sa Haba ng Gabi’ (Danny Zialcita, 1983)
  • The painter is dead: Barthes, and Nick Joaquin’s ‘A Portrait of the Artist as Filipino’
    The painter is dead: Barthes, and Nick Joaquin’s ‘A Portrait of the Artist as Filipino’
  • ‘Goyo: Ang Batang Heneral’, a romantic elegy
    ‘Goyo: Ang Batang Heneral’, a romantic elegy
  • ‘Birdshot’: a breathtaking fable of predators and prey
    ‘Birdshot’: a breathtaking fable of predators and prey
  • ‘Ang Kwento Nating Dalawa’ (2015): watching the end of the line
    ‘Ang Kwento Nating Dalawa’ (2015): watching the end of the line

About the site

Reverse Delay is a blog about various cultural topics, with a special interest in Philippine cinema. Learn more in the ‘about’ page.

For convenience in browsing, there is an index to the film reviews published on this site.

Latest posts

  • ‘Isa Pa, With Feelings’: from speechless to breathless
  • ‘Body Crashes’ and the freedom to self-express: an interview with Rhian Ramos
  • ‘Quezon’s Game’: playing it safe
  • ‘Tayo sa Huling Buwan ng Taon’: a world of their own
  • ‘Goyo: Ang Batang Heneral’, a romantic elegy
  • Ten years ago
  • ‘Oda sa Wala’: the morbid fragrance of emptiness
  • Reviews: ‘Mamang’ and short films (Cinemalaya 2018)
  • Reviews: ‘Distance’, ‘School Service’, ‘Kung Paano Hinihintay ang Dapithapon’ (Cinemalaya 2018)
  • Reviews: ‘ML’, ‘The Lookout’, ‘Musmos na Sumibol sa Gubat ng Digma’ (Cinemalaya 2018)

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Comments are encouraged on the designated comments sections, but for private messages please use the form on the contact page.

Copyright notice

The author of this site retains all rights to original content posted here, but is open to its re-publishing or re-use upon request. See details on the ‘Copyright and related matters’ page.
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