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Reverse Delay

On films and other fabrications

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Reverse Delay

About

  • About the site
  • Copyright and related matters
  • Contact the author

Popular

  • ‘Oda sa Wala’: the morbid fragrance of emptiness
    ‘Oda sa Wala’: the morbid fragrance of emptiness
  • ‘Culture as History’: Nick Joaquin's provocative essay on Filipino identity
    ‘Culture as History’: Nick Joaquin's provocative essay on Filipino identity
  • ‘Ang Kwento Nating Dalawa’ (2015): watching the end of the line
    ‘Ang Kwento Nating Dalawa’ (2015): watching the end of the line
  • ‘Gusto Kita with All My Hypothalamus’: delirious with desire
    ‘Gusto Kita with All My Hypothalamus’: delirious with desire
  • ‘Sa Aking Mga Kamay’ (1996): the dual faces of crime and passion
    ‘Sa Aking Mga Kamay’ (1996): the dual faces of crime and passion
  • ‘Tayo sa Huling Buwan ng Taon’: a world of their own
    ‘Tayo sa Huling Buwan ng Taon’: a world of their own
  • ‘Instalado’: knowledge is power, and power corrupts
    ‘Instalado’: knowledge is power, and power corrupts
  • ‘2 Cool 2 Be 4gotten’ (Petersen Vargas, 2016): confronting nature and nations
    ‘2 Cool 2 Be 4gotten’ (Petersen Vargas, 2016): confronting nature and nations
  • ‘Goyo: Ang Batang Heneral’, a romantic elegy
    ‘Goyo: Ang Batang Heneral’, a romantic elegy
  • ‘Ang Babae Sa Septic Tank 2’ (2016): hilarious, perceptive, timely
    ‘Ang Babae Sa Septic Tank 2’ (2016): hilarious, perceptive, timely

About the site

Reverse Delay is a blog about various cultural topics, with a special interest in Philippine cinema. Learn more in the ‘about’ page.

For convenience in browsing, there is an index to the film reviews published on this site.

Latest posts

  • ‘Isa Pa, With Feelings’: from speechless to breathless
  • ‘Body Crashes’ and the freedom to self-express: an interview with Rhian Ramos
  • ‘Quezon’s Game’: playing it safe
  • ‘Tayo sa Huling Buwan ng Taon’: a world of their own
  • ‘Goyo: Ang Batang Heneral’, a romantic elegy
  • Ten years ago
  • ‘Oda sa Wala’: the morbid fragrance of emptiness
  • Reviews: ‘Mamang’ and short films (Cinemalaya 2018)
  • Reviews: ‘Distance’, ‘School Service’, ‘Kung Paano Hinihintay ang Dapithapon’ (Cinemalaya 2018)
  • Reviews: ‘ML’, ‘The Lookout’, ‘Musmos na Sumibol sa Gubat ng Digma’ (Cinemalaya 2018)

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Comments are encouraged on the designated comments sections, but for private messages please use the form on the contact page.

Copyright notice

The author of this site retains all rights to original content posted here, but is open to its re-publishing or re-use upon request. See details on the ‘Copyright and related matters’ page.
  • Sections
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  • About
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