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‘Culture as History’: Nick Joaquin's provocative essay on Filipino identity
‘Ang Kwento Nating Dalawa’ (2015): watching the end of the line
‘Tayo sa Huling Buwan ng Taon’: a world of their own
‘El viaje de Carol’, wars and dictatorships
‘Oda sa Wala’: the morbid fragrance of emptiness
The painter is dead: Barthes, and Nick Joaquin’s ‘A Portrait of the Artist as Filipino’
‘Gusto Kita with All My Hypothalamus’: delirious with desire
On Lualhati Bautista's ‘Dekada ’70’
‘Sleepless’ (2015): a pleasant non-romance about urban insomnia
‘2 Cool 2 Be 4gotten’ (Petersen Vargas, 2016): confronting nature and nations

About the site

Reverse delay is a blog about Philippine films and culture (with occasional digressions). Learn more in the ‘about’ page.

For convenience in browsing, there is an index to the film reviews published on this site.

Latest posts

‘Isa Pa, With Feelings’: from speechless to breathless
‘Body Crashes’ and the freedom to self-express: an interview with Rhian Ramos
‘Quezon’s Game’: playing it safe
‘Tayo sa Huling Buwan ng Taon’: a world of their own
‘Goyo: Ang Batang Heneral’, a romantic elegy
Ten years ago
‘Oda sa Wala’: the morbid fragrance of emptiness
Reviews: ‘Mamang’ and short films (Cinemalaya 2018)
Reviews: ‘Distance’, ‘School Service’, ‘Kung Paano Hinihintay ang Dapithapon’ (Cinemalaya 2018)
Reviews: ‘ML’, ‘The Lookout’, ‘Musmos na Sumibol sa Gubat ng Digma’ (Cinemalaya 2018)

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The author of this site retains all rights to original content posted here, but is open to its re-publishing or re-use upon request. See details on the ‘Copyright and related matters’ page.

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